Colin Kendrick of the Austin Music Foundation Talks about Blackfret
Where
are you from originally?
Austin
What
university did you go to?
What
brought you to Austin?
I grew up in Austin and learned to love our city’s amazing music scene at a young
age. I’ve seen the rewards it has
brought our community and I’ve seen both the joys and the hardships it imposes
on our artists.
What is your
group’s mission?
What
need does it fulfill?
It has never been harder to make a living as a
musician. For centuries both classical and opera music have had the
benefit of community financial support.
Nothing like that has ever existed for the music that defines the
moments of our generation. Black Fret is a young and vital new model for arts
patronage that addresses that need.
For those musicians we serve, we provide a critical
service at a critical time. As much as
the digital revolution has empowered artists with falling costs to produce and
distribute their music… it has taken more.
Piracy, the collapse of the major record labels and a flood of
starry-eyed bands willing to give their music away for free have endangered the
livelihood of musicians who would otherwise be able to make a living with their
art.
This challenge is compounded when you consider that
cities with great local music scenes are among the most desirable places to
live. They generally have growing
economies driven by an excess of creative young inexpensive labor. Their success also means that the cost of
living in music towns tends to rise fast.
Many of these cities find themselves fighting to retain the cultural
assets that made them great.
What
exactly does it bring to startups?
Black Fret provides financially material grants that
allow musicians to create and perform new music. Grant recipients are compensated for
performing and touring, writing and recording new songs, mentoring other bands,
and providing public service to other charities and schools.
What
type of startup would benefit from your group?
Black Fret provides grants to rising and established
musicians living in Austin through an invitation only application process. Nominees are selected by our members, by
fellow musicians and by the general public through the Austin Chronicle’s
Austin Music Awards.
What was
the most challenging aspect of starting up the initiative?
The hardest part of starting a non-profit to serve local
musicians is getting donors to understand why those artists need and deserve
our support. When most folks think of
the music industry they think about the glamorous lives of young and famous pop
stars or their deadbeat friend who never worked an “honest” job in his life. For 99.99% of musicians it isn’t like
that. They spend years and years
perfecting their skills, refining their art and they do so with little to no
support, risking their long term financial security and relationships because
they believe, truly believe in the power of music to influence people. They are true entrepreneurs who know their
product, their art, can change the world.
What
advice do you have for entrepreneurs?
If you’re serious about your art, learn to run it like a
business.
What Austin-based
resource have you found to be the most helpful and why?
Austin is lucky to have some amazing non-profits
supporting our music community. The
Austin Music Foundation provides business education and mentoring to our local
artists. The Health Alliance for Austin
Musicians (HAAM) and the SIMS Foundation provide healthcare and addiction
recover services.
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